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Not deigning to notice this irrelevant interruption the teacher proceeded. As he climbed down, reaching from branch to branch, very cautiously, he knew not why, he was suddenly halted by the sound of low voices. Carefully he crept nearer. A tiny hut came in view, with an open door, and the glint of fire within. A man was standing outside, smoking a pipe, yet wearing hat, coat, and gloves, as if about to set off. He was very large. His clothes were new and showy, too bright in color, too large of check. His watch chain was massive; the big diamond out of place with his colored shirt; and the soft silk handkerchief he drew from his pocket was a brilliant red, and the largest Billy had ever seen. Another man, in the doorway, was smaller and bareheaded. His sleeves were rolled up, and his hands were stained. “I guess so. Teacher says every live thing that’s happy works; birds, flowers, children; that those that won’t work shouldn’t eat. He says the greatest joy is to do the work you like best as well as you can.”.
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Conrad
The loft in the barn had been swept and garnished by Mr. Wopp for Betty’s moving picture show, and thither, after the preliminary how-d’you-do’s were over, she led her eager audience. Her head was held at the exact angle for ascending the ladder to perform the imposing duties of moving picture operator, and her foot was on the first rung when she suddenly thought of the collection box for the carrots the children were carrying. Lastly came Moses’ turn to pay the admission fee, and with a shame-faced expression he dropped several silver coins into the box held in Betty’s hand. Her face was a study in feminine triumph as Moses mumbled, “I aint got no carrots, so here’s my pay to git in ter yer little ole show.” Every back bent a little lower. Every face flushed a little rosier under its coat of grime. Praise from Billy was all they asked. Presently, Moses made for the yard and on his way, offered tribute to Betty by standing on his head on the mat at the door..
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